Dalam dunia yang katanya sudah modern, penuh nalar, dan terikat algoritma dingin, manusia ternyata masih haus akan kisah barbar kuno kisah para dewa yang tidak pernah benar-benar mati. Dan apa lagi yang bisa lebih pornografis bagi indera selain menyaksikan Poseidon, sang penguasa samudra, melemparkan amarahnya ke dada Zeus, sang pengatur petir yang sok suci itu?

Bayangkan lautan yang bukan sekadar air asin, tetapi orkestra maut. Gelombang tidak lagi mengalun, melainkan menghantam dengan ritme double bass drum yang brutal, sementara kilatan halilintar Zeus menyambar bagai riff tremolo gitar yang menusuk timpani otak. Di sanalah konsep blackened death metal menemukan panggungnya: kebrutalan bukanlah pilihan, tetapi hukum alam.

Sarkasme sejarah Yunani ini menjadi satire atas “ketuhanan” itu sendiri. Para dewa, yang katanya abadi, ternyata lebih mirip remaja labil dengan ego kosmik: Poseidon marah karena Zeus tidak tahu diri; Zeus marah karena Poseidon tidak tunduk. Dan kita, manusia fana, hanya jadi penonton stand-up komedi kosmik, terkekeh getir sambil ikut dihancurkan tsunami dendam ilahi. Filosofinya sederhana, meski terdengar absurd: kemarahan adalah bahasa universal yang bahkan para dewa pun tidak kebal darinya. Dan ketika amarah itu meledak, ia menjelma menjadi musik musik yang tidak sekadar didengar, tetapi ditelan paksa ke dalam paru-paru, membuat detak jantung meloncat ke tempo 260 BPM.

Di titik klimaks, bayangkan Tartarus terbuka. Para dewa terbuang yang dipenjara sejak ribuan tahun lalu kini berdiri kembali, merangkak keluar dengan teriakan vokal guttural yang memekakkan telinga. Inilah hari penghakiman, bukan versi suci penuh malaikat berpakaian putih, tetapi festival kehancuran paling agung yang pernah ada. Api, petir, dan air bah bercampur dalam satu komposisi: blackened death metal sebagai liturgi baru peradaban. Dan kita pun, dengan sarkasme yang getir, menyadari satu hal: mungkin tidak ada yang lebih jujur daripada musik keras yang menggambarkan kebrutalan kosmos. Jika Poseidon dan Zeus berseteru, maka dunia bukan lagi tempat tinggal ia hanyalah panggung konser raksasa, di mana setiap kilatan halilintar adalah breakdown, setiap badai adalah chorus, dan setiap jeritan manusia adalah backing vocal dari tragedi yang sudah ditulis jauh sebelum kita lahir. Sebab pada akhirnya, tidak ada yang lebih metal daripada melihat para dewa pun akhirnya kalah oleh amarah mereka sendiri.

Regardless of how you look at it, new material " Altar Jahanam " is Bestial SLAVESUN slaying like they slay best, and it feels more focused and crafted with some measure of restraint, which does the band favors for a suitably majestic, epic feel and atmosphere !! Slavesun still abuses on kit in ways unspeakable in a high school music class. Anyone saturating themselves with modern DM and it's offshoots will be used to all the blasturbation going on here. LOTS AND LOTS OF DRUM HITS. At least he fits some interesting patterns into the beats sometimes and adds nice tom fills, too. They are definitely varied and comes up with some really entertaining ones, so it's some of the best I've heard in this genre even if it is a little over played and it's going to be too much; you have to suspend your disbelief to really get into something so insanely huge at all moments ! it’s the overall sound that makes this band the beast that it is. SLAVESUN is all about the violence. It’s the ultimate mosh pit, headbang, scream out of you lungs music Bastard !!!

Faster than faster Production values and all over the place Uncompromised compositional Blackened Metal Approach. operate within the stylistically vague realm commonly referred to as " Blackened Death metal ", playing songs that are DM in structure and technique, with Black Metal Atmospherics and Esoteric concept the songs employ riffs that are efficiently consonant and Interconnected in transitions which are marked by sudden alterations of structural patterns to redirect flow or change mood, maintaining a constant Equilibrium of Intensity and Melody, Aggressively propelled by Surging, Relentless Rhythmical motion. Especially for Fans of Infernal War, Frozen Shadows, Behemoth, and Morbid Angel.

English 

In a world that claims to be modern, rational, and bound by cold algorithms, humans still thirst for ancient barbaric tales of gods who never truly die. And what could be more pornographic to the senses than witnessing Poseidon, the ruler of the oceans, throwing his wrath at Zeus, the pretentious ruler of thunder?

Imagine the ocean not merely as salty water, but as an orchestra of death. The waves no longer roll gently, but crash with the brutal rhythm of double bass drums, while Zeus' lightning bolts strike like tremolo guitar riffs piercing the timpani of the brain. It is here that the concept of blackened death metal finds its stage: brutality is not a choice, but a law of nature.

This Greek historical sarcasm becomes a satire on “divinity” itself. The gods, who are said to be immortal, turn out to be more like unstable teenagers with cosmic egos: Poseidon is angry because Zeus is inconsiderate; Zeus is angry because Poseidon is not submissive. And we, mortal humans, are merely spectators of cosmic stand-up comedy, chuckling bitterly while being destroyed by a tsunami of divine vengeance. The philosophy is simple, though it sounds absurd: anger is a universal language that even the gods are not immune to. And when that anger explodes, it transforms into music that is not merely heard, but forced into the lungs, making the heartbeat jump to a tempo of 260 BPM.

At the climax, imagine Tartarus opening up. The exiled gods who have been imprisoned for thousands of years now stand up again, crawling out with deafening guttural screams. This is Judgment Day, not the holy version full of angels dressed in white, but the greatest festival of destruction that has ever existed. Fire, lightning, and floodwaters mix in one composition: blackened death metal as the new liturgy of civilization. And we, with bitter sarcasm, realize one thing: perhaps nothing is more honest than loud music that describes the brutality of the cosmos. If Poseidon and Zeus were at war, then the world would no longer be a place to live, but merely a giant concert stage, where every flash of lightning is a breakdown, every storm is a chorus, and every human scream is the backing vocals of a tragedy written long before we were born. Because in the end, there is nothing more metal than seeing the gods finally defeated by their own rage.

Regardless of how you look at it, new material " Altar Jahanam " is Bestial SLAVESUN slaying like they slay best, and it feels more focused and crafted with some measure of restraint, which does the band favors for a suitably majestic, epic feel and atmosphere !! Slavesun still abuses on kit in ways unspeakable in a high school music class. Anyone saturating themselves with modern DM and it's offshoots will be used to all the blasturbation going on here. LOTS AND LOTS OF DRUM HITS. At least he fits some interesting patterns into the beats sometimes and adds nice tom fills, too. They are definitely varied and comes up with some really entertaining ones, so it's some of the best I've heard in this genre even if it is a little over played and it's going to be too much; you have to suspend your disbelief to really get into something so insanely huge at all moments ! it’s the overall sound that makes this band the beast that it is. SLAVESUN is all about the violence. It’s the ultimate mosh pit, headbang, scream out of you lungs music Bastard !!!

Faster than faster Production values and all over the place Uncompromised compositional Blackened Metal Approach. operate within the stylistically vague realm commonly referred to as " Blackened Death metal ", playing songs that are DM in structure and technique, with Black Metal Atmospherics and Esoteric concept the songs employ riffs that are efficiently consonant and Interconnected in transitions which are marked by sudden alterations of structural patterns to redirect flow or change mood, maintaining a constant Equilibrium of Intensity and Melody, Aggressively propelled by Surging, Relentless Rhythmical motion. Especially for Fans of Infernal War, Frozen Shadows, Behemoth, and Morbid Angel.